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Jim Packer's avatar

Which brings us to Tyler Durden.

Is he a parody of the narrator erected into some sort of comical ubermensch who cannot be held responsible for anything since not even the narrator knows exactly where he is?

When I first encountered Tyler way back around 1999 (when the film came out) he reminded me of the odd fictional experiment of my own. He was done in a different way (discontinuous rather than my own rather stodgier continuous narrative) but the attack on melodrama was clear. And to me, valuable. (Another thing: Tyler's voice has quote-marks; the narrator's doesn't. Tyler is direct speech; the narrator is indirect. This is clever. Tyler is clear and distinct. The narrator is evasive. This structures the anti-melodrama so the narrator ever actually acquires an identity and climbs on top. Tyler is the only identity the book needs. Somehow Fincher got to make this work in the film, too, though obviously not with the name orthographic device.)

Is the Tyler/narrator relationship homosexual? Well it's not sexual, but what sort of narrational form would that lead to? Melodrama? Statements of sexual identity turned into comfort zones? Right -- that's the very opposite of Tyler. But the issue does arise. It arises because the nice neat comfortable relationships between people are in the crosshairs of the novel all the way through, and they are all repudiated. (Or when they are not repudiated, in my opinion, this particular book fails.) This means that sexual relationships never blossom, but it also means that social relationships also never blossom (or that "homosocial" relationships are effortlessly thwarted in favour of something bigger). What does blossom is a sense that the moment you (the narrator) stop thinking, stop moving forward, stop being a shark, you are down a deep hole.

Kenneth Clark in his Civilization series made the point about Michelangelo's David that it was "the enemy of happiness". Happiness is for the proles. Happiness is for the happily married people. Happiness is for the consummated. Happiness is not for sharks. Who can live without happiness? Well that, it seems to me, is what the novel is about. (If I have a real, deep, vital complaint about the Spectator Australia, it is its prevalent STYLE -- it is the style of losers, of whingers, of the outraged and frustrated, and indeed of the happily-married but completely clueless, lost in a hostile world. This style wants happiness even more desperately than they want it on the ABC -- and gosh, what losers THEY are, on the ABC!) Everything in the modern age should be telling us how perilous it is to want happiness, and Tyler Durden is one of the few places where the alternative route is mapped.

So, this is what I think about Tyler Durden, and why I'm glad you brought it up.

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Jim Packer's avatar

The only known natural predator of the funnel-web is, you guessed it, the koala.

They're particularly partial to fried funnel-web on single gum-leaf.

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